Tone variation of the brush strokes on "Positano in Graphite" by Amanda Nisbet look as though someone actually hand painted the silk ground. This fabric would make very chic pillows. |
The clear white ground lends crispness to "Bengal Bazaar in Graphite" by Kelly Wearstler for Lee Jofa. |
Kravet's "Dotkat in Mineral" has the feel of an ikat on a smaller scale. I would use this on chair seats with solid gray piping. It is also soil resistant and echo friendly. |
"Renishaw" by Travers is a nice durable upholstery fabric without the heavy duty look. |
Inconsistent free hand dots on Sister Parish's "Chou Chou in Gray" lend a whimsical air. |
Classic ticking is upgraded when printed on Rogers & Goffigon's high quality linen (Montana in Ash shown above). |
Quadrille recently launched several gray color ways. "Veneto in Gray on Tinted Linen" would upholster well on club chairs or make for punchy pillows. |
Highs and lows meld seamlessly with Galbraith & Paul's "Fern in Cadet Blue"; the pattern is casual but the colors are slightly metallic, providing a hint of glamour. You can do just about anything with this fabric. It would make gorgeous curtain panels, upholstery or pillows and is versatile enough for the city or country. |
I would love to live in an entirely gray, black and white house. I would call Allison, of course, to help me decorate! Can you imagine!? One of my dear friend's mother's house was entirely white on the inside - think Georgia O'Keefe's studio - and my friend remembers as a young girl painting the spines of the books on the bookshelves white, and then going over the titles on the spines in gold lettering.
ReplyDeleteThat sounds cool, Lizzie! I will decorate your gray, black and white house any day xoxo
ReplyDelete